Rock Rubbings, 2017 ongoing
stones found on a river walk near Adolfstrom, Sweden
Traces will remain (Three Colours), 2020
Carbon Black, Iron Oxide and Haemetite
rock rubbings and their indexical trace from found stone near Adolfstrom, Sweden, 25km from the Arctic Circle
Whilst things are still reversible, 2020
Carbon Black, Iron Oxide, Haemetite and Graphite
rock rubbings and their indexical trace with their graphite counterpart, from found stone near Adolfstrom, Sweden
Longlisted for Trinity Buoy Wharf Drawing Prize 2020
Kintsugi, ‘the last of the gold leaf’, 2018 - ongoing
Shattered, 2018
Red Sandstone from Freshwater West, with Firenze Gold Leaf
Split, 2018
Green Siltstone from Whitsand Bay, with Firenze Gold Leaf
Fault, 2019
Red Sandstone from Freshwater West, with Firenze Gold Leaf
Stone, and ‘that elusive contour between volume and space’
Stone, Artist’s Book, 2016
mussell shell
jade
green earth from verona
slate grey light stone chalk
slate grey dark stone chalk
malachite
lapis lazuli light
lapis lazuli dark
green jasper
aegerine
chrome iron stone
0.5g of stone pigment already to hand in the studio, ground and polished with safflower oil into Fabriano 5 cotton paper
Fugitive, for Rhod in Roath, Cardiff, 2013
Fugitive, 2013
“A colour which is made of azurite and giallorino is green...’’
carved writing on handpolished Bologna Chalk gessoed panel
excerpt from Cennino d’Andrea Cennini’s formula for ‘the most handsome of colours for foliage’, 1400s,
for Rhod in Roath Cardiff, 2013
“A colour which is made of azurite and giallorino is green...’’
carved writing on handpolished Bologna Chalk gessoed panel
excerpt from Cennino d’Andrea Cennini’s formula for ‘the most handsome of colours for foliage’, 1400s,
for Rhod in Roath Cardiff, 2013
‘Becoming’, at the Old Library, Cardiff, 2012
Cut and Polished, 2012
Blue Lias Limestone and Beeswax
the last of the Blue Lias Seam, quarried near Bridgend, Wales
‘Displaced’, a carved line painted, 2012
found Marble Step Fragment, London and found slate from a walk in Snowdonia
using the marble dust from the carved line, polishing it into the slate